According to based o的問題,透過圖書和論文來找解法和答案更準確安心。 我們找到下列包括賽程、直播線上看和比分戰績懶人包

According to based o的問題,我們搜遍了碩博士論文和台灣出版的書籍,推薦寫的 Music Scenes and Migrations: Space and Transnationalism in Brazil, Portugal and the Atlantic 和Shaw, Natalie (ADP)的 Pumpkin Guts Versus the Vampires都 可以從中找到所需的評價。

這兩本書分別來自 和所出版 。

世新大學 資訊管理學研究所(含碩專班) 陳俊廷所指導 張可橙的 照顧者對於育兒APP使用經驗及滿意度之研究 (2022),提出According to based o關鍵因素是什麼,來自於育兒、APP、科技接受模式。

而第二篇論文東吳大學 財務工程與精算數學系 莊聲和、喬治華所指導 陳悠祈的 父母親身體狀況與嬰幼兒先天性缺陷之關聯性研究 (2022),提出因為有 先天缺陷、婦嬰險、危險因子、廣義線性模型的重點而找出了 According to based o的解答。

接下來讓我們看這些論文和書籍都說些什麼吧:

除了According to based o,大家也想知道這些:

Music Scenes and Migrations: Space and Transnationalism in Brazil, Portugal and the Atlantic

為了解決According to based o的問題,作者 這樣論述:

'Music Scenes and Migrations' brings together new work from Brazilian and European scholars around the themes of musical place and transnationalism across the Atlantic triangle connecting Brazil, Africa and Europe. Moving beyond now-contested models for conceptualizing international musical relation

s and hierarchies of powers and influence, such as global/local or centre/periphery, the volume draws attention instead to the role of the city, in particular, in producing, signifying and mediating music-making in the colonial and post-colonial Portuguese-speaking world. In considering the roles pl

ayed by cities as hubs of cultural intersection, socialization, exchange and transformation; as sites of political intervention and contestation; and as homes to large concentrations of consumers, technologies and media, Rio de Janeiro necessarily figures prominently, given its historical importance

as an international port at the centre of the Lusophone Atlantic world. The volume also gives attention to other urban centres, within Brazil and abroad, towards which musicians and musical traditions have migrated and converged - such as S o Paulo, Lisbon and Madrid - where they have reinvented th

emselves; where notions of Brazilian and Lusophone identity have been reconfigured; and where independent, peripheral and underground scenes have contested the hegemony of the musical 'mainstream'. The contributions to the volume are grouped according to three key thematic areas. 'Colonial and Post-

Colonial Transnationalisms, Migrations and Diasporas' focuses on the musical movements and fluxes that have traversed the Atlantic world since the colonial period, including the diasporic extensions of African music-making; the role of early forms of mechanical music-recording in mediating between P

ortuguese and Brazilian popular songs in nineteenth-century Rio de Janeiro; the story of m sica caipira in articulating the 'rooting' and 'uprooting' migratory experience of the S o Paulo peasantry in the twentieth century; and the contemporary phenomenon of Brazilian musicians living in the cities

of Lisbon and Madrid, where they negotiate the needs and expectations of their expatriate communities, tourists and local audiences. 'Relocating Rio de Janeiro' considers how, in its identification with key musical traditions such as samba, pagode and choro, the city has been a contested space - geo

graphically, symbolically and politically - whether in the memories and mythologies of key neighbourhoods and locations of music-making as expressed in the musical discourses themselves, through music's involvement in the material forms of community life and popular culture, including religion, carn

ival and other festivals, or through the competing claims of official state institutions and policies, the recording industry and grassroots communitarian initiatives. The essays in 'Demetropolitanizing the Musical City: Other Scenes, Industries, Technologies' explore how contemporary developments i

n the independent, underground and peripheral music scenes in Brazil and Portugal have challenged traditional narratives and hierarchies that dichotomized the field in terms of national tradition v. internationalism, mainstream v. margins, pop v. popular. Genres such as sertaneja universit ria, funk

, heavy metal, Brazilian jazz and instrumental music, post-Vanguarda Paulista MPB and rap are considered in the light of profound shifts in the economy and technology of the music industry, including fluctuations in the recording sector, the internationalization of audiences, and the rise of YouTube

, among other video-based digital platforms, as a predominant medium for the consumption of music. David Treece, author and educator, is Camoens Professor of Portuguese at King’s College London, where he has taught and researched on Brazilian culture since 1987.

According to based o進入發燒排行的影片

Adeste Fideles
“O Come, All Ye Faithful” (originally written in Latin as Adeste Fideles) is a Christmas carol which has been attributed to various authors, including John Francis Wade (1711–1786), with the earliest copies of the hymn all bearing his signature, John Reading (1645–1692) and King John IV of Portugal (1604–1656).
The original four verses of the hymn were extended to a total of eight, and these have been translated into many languages. The English translation of “O Come, All Ye Faithful” by the English Catholic priest Frederick Oakeley, written in 1841, is widespread in most English speaking countries. The present harmonization is from the English Hymnal (1906).



O Tannenbaum:

It is a German Christmas song. Based on a traditional folk song, it became associated with the Christmas tree by the early 20th century and sung as a Christmas carol.

Jingle Bells:

One of the best-known and commonly sung American Christmas songs in the world. It was written by James Lord Pierpont (1822–1893) and published under the title “One Horse Open Sleigh” in the autumn of 1857.

White Christmas

It is an Irving Berlin song reminiscing about an old-fashioned Christmas setting. According to the Guinness World Records, the version sung by Bing Crosby is the best-selling single of all time, with estimated sales in excess of 50 million copies worldwide.

Winter Wonderland

Silent Night

“Silent Night” (German: Stille Nacht, heilige Nacht) is a popular Christmas carol, composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr in the small town of Oberndorf bei Salzburg, Austria. It was declared an intangible cultural heritage by UNESCO in March 2011.

Sleigh Ride:

It is a popular light orchestral piece composed by Leroy Anderson. The composer had the original idea for the piece during a heat wave in July 1946; he finished the work in February 1948. Though it was originally an instrumental piece, lyrics, about a person who would like to ride in a sleigh on a winter’s day with another person, were written by Mitchell Parish in 1950.

類別

娛樂

這部影片中的配樂

瞭解詳情

立即訂閱 YouTube Premium,享受沒有廣告干擾的音樂饗宴

歌曲

White Christmas

演出者

José Carreras;Plácido Domingo;Luciano Pavarotti

Writers

Irving Berlin

授權 YouTube 的內容擁有者:

SME (代表Sony Classical); UMPI, UMPG Publishing, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, ASCAP, BMG Rights Management, LatinAutor, LatinAutor - UMPG, Concord Music Publishing與 9 個音樂版權協會

歌曲

Let It Snow

演出者

José Carreras;Plácido Domingo;Luciano Pavarotti

Writers

Sammy Cahn, Jule Styne

授權 YouTube 的內容擁有者:

SME (代表Sony Classical); UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, UMPG Publishing, CMRRA, PEDL, Concord Music Publishing, LatinAutor - Warner Chappell, Warner Chappell, BMG Rights Management, LatinAutor, UMPI, ARESA與 13 個音樂版權協會

歌曲

O Tannenbaum

演出者

José Carreras;Plácido Domingo;Luciano Pavarotti

授權 YouTube 的內容擁有者:

SME (代表Sony Classical); Sony ATV Publishing, UMPG Publishing, SODRAC, UMPI與 18 個音樂版權協會

歌曲

Carol of the Drum (The Little Drummer Boy)

演出者

José Carreras;Plácido Domingo

Writers

Katherine Davis

授權 YouTube 的內容擁有者:

SME (代表Sony Classical); UMPI, Sony ATV Publishing, PEDL, LatinAutor, CMRRA, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, EMI Music Publishing, LatinAutor - Warner Chappell與 6 個音樂版權協會

歌曲

Jingle Bells

演出者

José Carreras, Plácido Domingo, Luciano Pavarotti

專輯

Christmas All Over The World

Writers

Frank Farian

授權 YouTube 的內容擁有者:

SME (代表Sony Classical); SODRAC, PEDL, UMPG Publishing, Sony ATV Publishing, Public Domain Compositions與 11 個音樂版權協會

歌曲

Adeste Fideles

演出者

José Carreras;Luciano Pavarotti

授權 YouTube 的內容擁有者:

SME (代表Sony Classical); Public Domain Compositions, LatinAutor - UMPG, SODRAC, LatinAutor, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, Sony ATV Publishing與 11 個音樂版權協會

歌曲

Cantique de nöel (O Holy Night)

演出者

Plácido Domingo;Luciano Pavarotti

授權 YouTube 的內容擁有者:

SME (代表Sony Classical); EMI Music Publishing, Sony ATV Publishing, SODRAC, ASCAP, Public Domain Compositions與 14 個音樂版權協會

歌曲

Amazing Grace

演出者

José Carreras;Plácido Domingo;Luciano Pavarotti

授權 YouTube 的內容擁有者:

SME (代表Sony Classical); LatinAutor, EMI Music Publishing, ASCAP, Public Domain Compositions, LatinAutor - SonyATV, UMPI與 15 個音樂版權協會

歌曲

Winter Wonderland

演出者

José Carreras;Plácido Domingo;Luciano Pavarotti

授權 YouTube 的內容擁有者:

SME (代表Sony Classical); LatinAutor, LatinAutor - Warner Chappell, PEDL, EMI Music Publishing, Sony ATV Publishing, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, AMRA, Warner Chappell與 11 個音樂版權協會

歌曲

Sleigh Ride

演出者

José Carreras;Plácido Domingo;Luciano Pavarotti

Writers

Anderson Leroy, Mitchell Parish

授權 YouTube 的內容擁有者:

SME (代表Sony Classical); LatinAutor - SonyATV, Warner Chappell, EMI Music Publishing, SOLAR Music Rights Management, LatinAutor, CMRRA, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM與 6 個音樂版權協會

照顧者對於育兒APP使用經驗及滿意度之研究

為了解決According to based o的問題,作者張可橙 這樣論述:

自2020年COVID-19疫情延燒至今,對家庭帶來很大的生活改變,其中除了育兒日常之外,在防疫期間家庭互動型態也正悄悄地改變。因此,為了解家長育兒實際需求以及使用相關資源是重要的趨勢。家有嬰幼兒的父母需要紀錄各種嬰幼兒的生活紀錄,以確保嬰幼兒的健康狀況及健康檢查,如何善用各項育兒資源,將嬰兒照護資訊化,家長可以即時了解子女目前的狀況。隨著資訊科技進步,智慧型手機的流行,數位工具也愈來愈行動化及便利性,因此針對嬰幼兒各項活動的APP也蓬勃發展。目前市場上育兒APP種類眾多,但深入探討實際使用與功能是否滿足照顧者需求的研究較少。為了解照顧者對於使用育兒APP相關經驗及滿意度為何?研究首先依據文

獻探討嬰幼兒相關文獻,了解行動裝置在嬰幼兒保育相關之領域應用,再將市面上手持行動裝置平台皆有上架的育兒APP,將各個的功能做比較與統整,以問卷調查方式了解照顧者對於育兒APP實際使用情形以及滿意度。本研究採用科技接受模式為研究架構,加入受試者背景變項探討各構面關係,利用SPSS統計分析方法來驗證各項研究假設。研究結果如下:探討照顧者對於育兒APP的使用經驗之現況與差異。「認知有用性」及「認知易用性」會影響「使用意願」;「使用意願」會影響「滿意度」。根據研究結論,提出相對應研究建議,供未來建置應用程式系統可以擴充功能參考,讓使用者滿意度更加提升。

Pumpkin Guts Versus the Vampires

為了解決According to based o的問題,作者Shaw, Natalie (ADP) 這樣論述:

Mavis and her friends go trick-or-treating in this hilarious novel based on an episode of the hit Disney Channel show Hotel Transylvania: The Series.On Halloween, a curious Mavis and her friends break with tradition and do something every monster has been warned not to do: they go trick-or-treati

ng. How much trouble can they cause? Plenty apparently. According to legend, when monsters go out on Halloween they conjure up Pumpkin Guts, a centuries-old spirit who wants to turn all monsters into jack-o''-lanterns. Luckily Drac finds out and takes a short break from the Vampire Council. Surely h

e can help Mavis before she''s reduced to a pile of pumpkin seeds and guts (TM) & (c) 2019 Sony Pictures Animation Inc. All Rights Reserved.

父母親身體狀況與嬰幼兒先天性缺陷之關聯性研究

為了解決According to based o的問題,作者陳悠祈 這樣論述:

隨著社會經濟壓力逐漸增大,晚婚生子成了趨勢。根據內政部人口統計,西元2019年台灣女性生育第一胎年齡在35歲以上者高達23%,約為西元2009年的2.4倍。高齡產婦的增加,導致妊娠糖尿病、羊水過多、懷孕引起之高血壓等妊娠風險上升,進而造成出生兒的先天性缺陷風險增加。近來,商業保險中的婦嬰險推展,不僅提供產婦保障,同時為新生兒帶來保障。且因應客戶需求,不再侷限於孩子一兩年短期的保障,也觀察其多年後的情形,加強對特定先天缺陷及相關住院、手術醫療面的給付。此外,一般保險公司在提供此保障時,產婦需要填寫健康告知聲明書,藉此預測未來承保的風險,然而父親對嬰幼兒先天缺陷隱含的潛在危險因子可能仍需

再列入考量。因此本研究期望透過「衛生福利部衛生福利資料科學中心」所提供之資料,藉由廣義線性模型,探討2004年至2017年0-7歲嬰幼兒之先天缺陷與父母親危險因子的關聯性。 研究顯示,觀察西元2004年至2017年的2,326,774位新生兒,其0-7歲罹患先天缺陷的機率為4.067%,當中約有20%的先天缺陷者於2歲後才發覺。在其他條件皆相同之下,父親年齡、母親年齡增加十歲時,則會分別使嬰幼兒其先天缺陷率提高為原本的1.013倍(95%CI=0.995-1.031)、1.185倍(95%CI=1.162-1.209)。而母親有任一懷孕危險因子所生育的嬰幼兒其先天缺陷率(例如:心臟疾病、

孕期抽煙、妊娠糖尿病)則是母親無任一懷孕危險因子的1.144倍(95%CI=0.995-1.314)-2.003倍(95%CI=1.932-2.077)之間。希望藉由本研究所得先天缺陷相關資訊,提供保險公司作為訂價上風險的評估,也使雙親藉由事先瞭解懷孕的危險因子能有效做好相關的預防措施,在生育的路上更加順利。