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The Practice Sutras: Threads of Wisdom to Unlock Creativity and Master Your Craft

為了解決the yoga sutras of p的問題，作者 這樣論述：

The Practice Sutras applies the concepts and ideas in the ancient text The Yoga Sutras to the creation of works of art. Artists and creatives in every medium and walk of life encounter many obstacles on their journey, and through their work express and share with the world the depth of their thou

ghts, feelings, and experiences. Throughout the first part of the book, the reader will encounter threads of ancient wisdom on topics such as the Path, Projections, Vision, Self-Awareness, Choices, Sources of Inspiration, Imagination, Memories, Practice, and many more. In each chapter, there is an a

ction assignment that the reader can use to apply the concepts in an artistic way to their life as a creative, and to daily life in the world. In the second part of the book are selected longer topics that dive deeper into important topics such as Finding true purpose, adopting an unfettered mindset

, making practice more fun, managing time, and beating frustration, burnout, and overwhelm.

The Yoga Sūtras of Patañjali: Samādhi Pāda, Chapter on Integration, A Coloring Book

為了解決the yoga sutras of p的問題，作者 這樣論述：

The Yoga Sūtras by Indian sage Patañjali-the most authoritative and widely-read text on yoga-offers the reader a set of practical instructions for living a deeply meaningful life. A collection of 196 terse statements, or ＂sūtras＂ (literally ＂thread＂), sewn together into four distinct chapters, t

he Yoga Sūtras has had vast influence on the Indian philosophical traditions for several millennia, especially on yoga philosophy and its practices. Its relevance today is indicated by the sheer popularity of the text with yoga students worldwide. In fact, every yoga teacher training course in the U

nited States and Europe, as well as India, must include an overview of the text for new teachers.The idea of creating a coloring book series from Patañjali’s popular Yoga Sūtras is a thoroughly novel approach to this ancient text. It is a lively and contemporary exploration of the Yoga Sūtras that e

ncourages different ways of learning and knowing-the reader reflects meditatively on each sutra as it is being colored, practicing mindfulness during the act of coloring; and at the same time, enjoying the stress-reducing potential that ＂purposeful coloring＂ offers. The distinguishing feature of thi

s coloring book series is that it is a new approach to an ancient yet often-studied text, where the student is not overly burdened with weighty scholarship but is instead offered a transliterated sutra and its translation with the lightness of as-yet-to-be-colored flora, fauna, and fonts. The simple

art of coloring turns the Yoga Sūtras into a truly transformative text!The outline of this four-volume coloring book series is based upon the four chapters of the Yoga Sūtras of Patañjali: 1) the Samādhi Pāda, the chapter on integration (or meditation); 2) the Sādhana Pāda, the chapter on practice;

3) the Vibhūti Pāda, the chapter on special powers; and 4) the Kaivalya Pada, the chapter on liberation. Although each volume is a self-contained book capable of standing alone in its own right, each book is designed to be an integral part of the series that covers all four chapters of the Yoga Sut

ras of Patañjali. There are approximately 50 sutras in each chapter.Each page of the coloring book presents one sūtra in transliterated Sanskrit (Roman script) with an interpretation of that sūtra in lively hand-drawn font embedded in striking illustrations. The sūtras herein have been interpreted b

y Rebecca Polack, a yoga scholar who holds a PhD in South Asia Philosophy and Religion, and who has studied Sanskrit for over 20 years. The artwork has been created especially for this coloring book series by Dr. Polack, and inspired by Madhubani, folk art of northern India, as well as the nature of

Northern California-especially San Francisco’s Golden Gate Park. The first book, the Samādhi Pāda, predominantly features flowers and flora. The second book, the Sādhana Pāda, features animals-the real and imagined fauna of India and North America. The third book, the Vibhūti Pāda, intends artwork

of the celestial realms and geometric designs of India, and the fourth book will be a recapitulation of the first three chapters with some variation on their themes.

《本事・二法品》之比較研究

為了解決the yoga sutras of p的問題，作者釋覺莊 這樣論述：

本論文的研究，主要受到釋印順（1988）開創性的《本事・一法品》與Itivuttaka、《增壹阿含》及Aṅguttara Nikāya之比較研究所啟發。以上四者的比較研究，對初期佛教思想的探究而言，可謂提供了另一不同的契機。本論文站在釋印順《本事・一法品》的研究基礎之上，以《本事・二法品》為主，針對其與漢譯四部《阿含》、巴利五部Nikāya、律典、單譯經等初期經典有所對應的內容進行比較研究。以此希望藉由比較研究的進路，對《本事・二法品》的內容及思想作一廣闊地理解之同時，也開闊對《本事》的認識，以及增益對初期佛教教法之探求。本論文總計針對《本事・二法品》二十九則經典進行了比較研究，當中與其他初

期經典有所對應的內容，除了已被多位學者所留意的Itivuttaka外，另獲得了許多新的發現。另外，本論文針對《本事・二法品》以內容的對應程度為基準所進行的比較，相較於釋印順（1988）針對《本事・一法品》以法數為基準所進行的比較，呈現出了不一樣的結果。《本事・二法品》與Aṅguttara Nikāya的對應經有十三經，遠超過於《增壹阿含》的三經。另外，根據本論文的研究，《本事・二法品》與他經的對應程度可見，《本事》以及以法數為編輯原則的經典，其主要的傳承可能並非僅有法數而已；而應該是具有完整內容，或是截取佛陀開示中，具有法數的內容而編輯完成的經典。