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Jewish Lives Under Communism: New Perspectives

為了解決New Era 9FORTY的問題，作者 這樣論述：

Notes on Contributors Kata Bohus is a senior research advisor at UiT - the Arctic University of Norway. Previously, she worked as an international fellow at the Jewish Museum Frankfurt/Simon Dubnow Institute Leipzig, where she curated a temporary exhibition on the history of Jews in Europe after WW

II. She co-edited the volume ＂Our Courage. Jews in Postwar Europe 1945-48＂ (with Atina Grossmann, Werner Hanak, and Mirjam Wenzel), Berlin, 2020. She has published several articles on Holocaust memory and memorialization in communist Hungary, on the reception history of Anne Frank’s diary, and commu

nist interpretations of the Eichmann trial in Eastern Europe. Kateřina Čapková is a senior researcher at the Institute of Contemporary History, Prague, and a teacher at Charles University and NYU in Prague. Her Czechs, Germans, Jews? National Identity and the Jews of Bohemia (Berghahn, 2012; in Cze

ch 2005 and 2014) was called the Outstanding Academic Title of 2012 by Choice magazine. With Michal Frankl, she co-authored Unsichere Zuflucht (Böhlau, 2012), which is about people fleeing to Czechoslovakia from Nazi Germany and Austria. With Hillel Kieval she is co-editor of the volume Prague and B

eyond: Jews in the Bohemian Lands (Penn Press, 2021). Thanks to the ACLS Collaborative Research Fellowship, she is currently working (with Diana Dumitru and Chad Bryant) on a book about the Rudolf Slánský Trial (to be published by OUP). Diana Dumitru is an Associate Professor of History at Ion Crea

ngă State University of Moldova. She has authored two books and more than forty academic articles. Her second book, The State, Antisemitism, and Collaboration in the Holocaust: The Borderlands of Romania and the Soviet Union, was published by Cambridge University Press in 2016 (in Romanian, in 2019)

. Her article ’Constructing Interethnic Conflict and Cooperation: Why Some People Harmed Jews and Others Helped Them during the Holocaust in Romania’ (co-authored with Carter Johnson, and published in World Politics) received the 2012 Mary Parker Follett Award for the best article or chapter publish

ed in the field of politics and history. Valery Dymshits is a research fellow at the Petersburg Judaica Centre, European University, Saint Petersburg, and a professor at the Liberal Arts Department of Saint Petersburg State University. His chief area of research is the cultural anthropology and fol

klore of East European Jewry, folk and academic Jewish art, Yiddish literature, Russian-Jewish literature. In his translations or under his editing were published about 25 books and collection of articles, including Еврейские народные сказки (Jewish folk tales, St Petersburg, 1999), Штетл, XXI век (

The shtetl, the 21st century, St Petersburg, 2008). He is member of editorial board of the journals Народ Книги в мире книг (The nation of the book in a world of books, St. Petersburg), Judaic-Slavic Journal (Moskow), Yiddishland (Jerusalem). Gennady Estraikh is a professor at the Skirball Departme

nt of Hebrew and Judaic Studies, New York University, where he also directs the Shvidler Project for the History of the Jews of the Soviet Union. His fields of expertise are Jewish intellectual history, Yiddish language and literature, and Soviet Jewish history. His publications include Soviet Yiddi

sh (OUP, 1999), In Harness: Yiddish Writers’ Romance with Communism (Syracuse University Press, 2005), Yiddish in the Cold War (Legenda, 2008), Еврейская литературная жизнь Москвы (Европейский университет в Санкт Петербурге, 2015), Transatlantic Russian Jewishness (Academic Studies Press, 2020), and

over a dozen co-edited volumes. Kamil Kijek is an Assistant Professor at the Jewish Studies Department, University of Wroclaw, Poland. His publications include ’Dzieci modernizmu: Świadomośc, kultura i socjalizacja polityczna mlodzieży żydowskiej w Polsce międzywojennej’ (Children of modernism: Th

e socialization, culture and political consciousness of the Jewish youth in Interwar Poland), Wroclaw 2017, for which he had received international prize from The Leonid Nevzlin Research Center for Russian and East-European Jewry at the Hebrew University of Jerusalem, as well as various articles in

journals such as Jewish Social Studies, Polin, Gal-Ed, Journal of the Genocide Research. Anna Koch is the Francis L. Carsten DAAD lecturer at University College London, School of Slavonic and East European History. She received her PhD from New York University in 2015. Her book manuscript ’Home aft

er Fascism: Italian and German Jews after the Holocaust’ is forthcoming with Indiana University Press in 2022. She has published several articles on Italian and German Jewish history, and currently co-edits a volume on Holocaust Memory in Eastern and Western Europe. Her current research examines the

lives of German Communists of Jewish origin between 1918 and 1952. David Shneer ז״ל (1972-2020) was a Louis P. Singer Endowed Chair in Jewish History, Professor of History and Jewish Studies, and Chair of the Department of Religious Studies at the University of Colorado, Boulder. He was a Distingu

ished Lecturer for the Association for Jewish Studies and co-editor in chief of East European Jewish Affairs. He was the author or editor of several prize winning books including Yiddish and the Creation of Soviet Jewish Culture (Cambridge, 2005), Through Soviet Jewish Eyes: Photography, War, and th

e Holocaust (Rutgers, 2011) and Grief: The Biography of a Holocaust Photograph (Oxford, 2020). Anna Shternshis is the Al and Malka Green Professor of Yiddish studies and director of the Anne Tanenbaum Centre for Jewish Studies at the University of Toronto. She received her doctoral degree (DPhil) f

rom Oxford University in 2001. Shternshis is the author of Soviet and Kosher: Jewish Popular Culture in the Soviet Union, 1923 - 1939 (Indiana UP, 2006) and When Sonia Met Boris: An Oral History of Jewish Life under Stalin (Oxford UP, 2017). Together with artist Psoy Korolenko, Shternshis created an

d directed the Grammy-nominated Yiddish Glory project, an initiative that brought back to life forgotten Yiddish music written during the Holocaust in the Soviet Union. A recipient of 2020 Guggenheim Fellowship, she is currently working on a book tentatively entitled Last Yiddish Heroes: A Lost and

Found Archive of the Holocaust in the Soviet Union about Yiddish music created in Nazi-occupied Ukraine. Marcos Silber is Associate Professor and former Chair of the Department of Jewish History, the University of Haifa. He has written on Polish-Israeli relations, migrations between the two countri

es, Jewish Diaspora Nationalism in Poland, Lithuania, and Russia in the early twentieth century as well as on Yiddish and Polish cinema and popular culture in inter-war Poland. With Szymon Rudnicki he has published a selection of documents on Polish-Israeli diplomatic relations, 1945-67 (2009, in Po

lish and Hebrew editions) and, in Hebrew, a book whose title translates as ’Different Nationality, Equal Citizenship! The Efforts to Achieve Autonomy for Polish Jewry during the First World War’ (2014). Stephan Stach has been researcher of East Central European History of the 20th century with a fo

cus on Poland, Polish-Jewish relations, and Holocaust Memory in the Cold War era. He held positions at academic institutions in Germany, the Czech Republic and Poland. Since June 2020 works as Executive Director of the party Bündnis 90 / Die Grünen in Saxony. He co-edited volumes on inter-war Polish

nationalities policy (with Chrishardt Henschel, Zeitschrift für Ostmitteleuropaforschung, 62/2, 2013), dissidents’ memories of the Second World War and the Holocaust (with Peter Hallama, Gegengeschichte: Zweiter Weltkrieg und Holocaust im ostmitteleuropäischen Dissens, Leipzig, 2015), and on the re

lation between antifascism and Holocaust Memory in Eastern Europe (with Kata Bohus and Peter Hallama, Growing in the Shadow of Antifascism, Budapest 2021). Galina Zelenina is an associate professor at the Department for Jewish Theology, Biblical and Jewish Studies, Russian State University of the H

umanities, and a senior research fellow at the School for Advanced Studies in the Humanities, The Russian Presidential Academy of National Economy and Public Administration, Moscow. She is the author of От скипетра Иуды к жезлу шута придворные евреи в средневековой Испании (2007) on court Jews in me

dieval and early modern Spain, Иудаика два ренессанс в лицах (2015) on the revival of Jewish studies in late Soviet and post-Soviet Russia, and Огненный враг марранов жизнь и смерть под надзором инквизиции (2018) on Conversos and the Spanish inquisition as well as a number of articles on Soviet and

post-Soviet Jewish history.

New Era 9FORTY進入發燒排行的影片

再思考多元文化政策對原住民的影響：日本與台灣比較案例研究

為了解決New Era 9FORTY的問題，作者古川拓真 這樣論述：

多元文化主義是一種民族融合的方法，旨在克服不同民族之間的障礙，建立一個共存的社會。在日本和台灣，多元文化主義從90年代末開始被倡導，但其發展歷史和發展手段及目標卻大不相同。本文基於同化主義、文化調適、文化多元主義和多元文化主義的概念框架，重新定義並比較了兩國過去的原住民政策，並指出了兩國的差異。本文分析了兩國已實施的法律、憲法和政府對原住民政策的看法，並闡明瞭兩國原住民政策的發展以及手段和目標的差異。

Jewish Lives Under Communism: New Perspectives

為了解決New Era 9FORTY的問題，作者 這樣論述：

Notes on Contributors Kata Bohus is a senior research advisor at UiT - the Arctic University of Norway. Previously, she worked as an international fellow at the Jewish Museum Frankfurt/Simon Dubnow Institute Leipzig, where she curated a temporary exhibition on the history of Jews in Europe after WW

II. She co-edited the volume ＂Our Courage. Jews in Postwar Europe 1945-48＂ (with Atina Grossmann, Werner Hanak, and Mirjam Wenzel), Berlin, 2020. She has published several articles on Holocaust memory and memorialization in communist Hungary, on the reception history of Anne Frank’s diary, and commu

nist interpretations of the Eichmann trial in Eastern Europe. Kateřina Čapková is a senior researcher at the Institute of Contemporary History, Prague, and a teacher at Charles University and NYU in Prague. Her Czechs, Germans, Jews? National Identity and the Jews of Bohemia (Berghahn, 2012; in Cze

ch 2005 and 2014) was called the Outstanding Academic Title of 2012 by Choice magazine. With Michal Frankl, she co-authored Unsichere Zuflucht (Böhlau, 2012), which is about people fleeing to Czechoslovakia from Nazi Germany and Austria. With Hillel Kieval she is co-editor of the volume Prague and B

eyond: Jews in the Bohemian Lands (Penn Press, 2021). Thanks to the ACLS Collaborative Research Fellowship, she is currently working (with Diana Dumitru and Chad Bryant) on a book about the Rudolf Slánský Trial (to be published by OUP). Diana Dumitru is an Associate Professor of History at Ion Crea

ngă State University of Moldova. She has authored two books and more than forty academic articles. Her second book, The State, Antisemitism, and Collaboration in the Holocaust: The Borderlands of Romania and the Soviet Union, was published by Cambridge University Press in 2016 (in Romanian, in 2019)

. Her article ’Constructing Interethnic Conflict and Cooperation: Why Some People Harmed Jews and Others Helped Them during the Holocaust in Romania’ (co-authored with Carter Johnson, and published in World Politics) received the 2012 Mary Parker Follett Award for the best article or chapter publish

ed in the field of politics and history. Valery Dymshits is a research fellow at the Petersburg Judaica Centre, European University, Saint Petersburg, and a professor at the Liberal Arts Department of Saint Petersburg State University. His chief area of research is the cultural anthropology and fol

klore of East European Jewry, folk and academic Jewish art, Yiddish literature, Russian-Jewish literature. In his translations or under his editing were published about 25 books and collection of articles, including Еврейские народные сказки (Jewish folk tales, St Petersburg, 1999), Штетл, XXI век (

The shtetl, the 21st century, St Petersburg, 2008). He is member of editorial board of the journals Народ Книги в мире книг (The nation of the book in a world of books, St. Petersburg), Judaic-Slavic Journal (Moskow), Yiddishland (Jerusalem). Gennady Estraikh is a professor at the Skirball Departme

nt of Hebrew and Judaic Studies, New York University, where he also directs the Shvidler Project for the History of the Jews of the Soviet Union. His fields of expertise are Jewish intellectual history, Yiddish language and literature, and Soviet Jewish history. His publications include Soviet Yiddi

sh (OUP, 1999), In Harness: Yiddish Writers’ Romance with Communism (Syracuse University Press, 2005), Yiddish in the Cold War (Legenda, 2008), Еврейская литературная жизнь Москвы (Европейский университет в Санкт Петербурге, 2015), Transatlantic Russian Jewishness (Academic Studies Press, 2020), and

over a dozen co-edited volumes. Kamil Kijek is an Assistant Professor at the Jewish Studies Department, University of Wroclaw, Poland. His publications include ’Dzieci modernizmu: Świadomośc, kultura i socjalizacja polityczna mlodzieży żydowskiej w Polsce międzywojennej’ (Children of modernism: Th

e socialization, culture and political consciousness of the Jewish youth in Interwar Poland), Wroclaw 2017, for which he had received international prize from The Leonid Nevzlin Research Center for Russian and East-European Jewry at the Hebrew University of Jerusalem, as well as various articles in

journals such as Jewish Social Studies, Polin, Gal-Ed, Journal of the Genocide Research. Anna Koch is the Francis L. Carsten DAAD lecturer at University College London, School of Slavonic and East European History. She received her PhD from New York University in 2015. Her book manuscript ’Home aft

er Fascism: Italian and German Jews after the Holocaust’ is forthcoming with Indiana University Press in 2022. She has published several articles on Italian and German Jewish history, and currently co-edits a volume on Holocaust Memory in Eastern and Western Europe. Her current research examines the

lives of German Communists of Jewish origin between 1918 and 1952. David Shneer ז״ל (1972-2020) was a Louis P. Singer Endowed Chair in Jewish History, Professor of History and Jewish Studies, and Chair of the Department of Religious Studies at the University of Colorado, Boulder. He was a Distingu

ished Lecturer for the Association for Jewish Studies and co-editor in chief of East European Jewish Affairs. He was the author or editor of several prize winning books including Yiddish and the Creation of Soviet Jewish Culture (Cambridge, 2005), Through Soviet Jewish Eyes: Photography, War, and th

e Holocaust (Rutgers, 2011) and Grief: The Biography of a Holocaust Photograph (Oxford, 2020). Anna Shternshis is the Al and Malka Green Professor of Yiddish studies and director of the Anne Tanenbaum Centre for Jewish Studies at the University of Toronto. She received her doctoral degree (DPhil) f

rom Oxford University in 2001. Shternshis is the author of Soviet and Kosher: Jewish Popular Culture in the Soviet Union, 1923 - 1939 (Indiana UP, 2006) and When Sonia Met Boris: An Oral History of Jewish Life under Stalin (Oxford UP, 2017). Together with artist Psoy Korolenko, Shternshis created an

d directed the Grammy-nominated Yiddish Glory project, an initiative that brought back to life forgotten Yiddish music written during the Holocaust in the Soviet Union. A recipient of 2020 Guggenheim Fellowship, she is currently working on a book tentatively entitled Last Yiddish Heroes: A Lost and

Found Archive of the Holocaust in the Soviet Union about Yiddish music created in Nazi-occupied Ukraine. Marcos Silber is Associate Professor and former Chair of the Department of Jewish History, the University of Haifa. He has written on Polish-Israeli relations, migrations between the two countri

es, Jewish Diaspora Nationalism in Poland, Lithuania, and Russia in the early twentieth century as well as on Yiddish and Polish cinema and popular culture in inter-war Poland. With Szymon Rudnicki he has published a selection of documents on Polish-Israeli diplomatic relations, 1945-67 (2009, in Po

lish and Hebrew editions) and, in Hebrew, a book whose title translates as ’Different Nationality, Equal Citizenship! The Efforts to Achieve Autonomy for Polish Jewry during the First World War’ (2014). Stephan Stach has been researcher of East Central European History of the 20th century with a fo

cus on Poland, Polish-Jewish relations, and Holocaust Memory in the Cold War era. He held positions at academic institutions in Germany, the Czech Republic and Poland. Since June 2020 works as Executive Director of the party Bündnis 90 / Die Grünen in Saxony. He co-edited volumes on inter-war Polish

nationalities policy (with Chrishardt Henschel, Zeitschrift für Ostmitteleuropaforschung, 62/2, 2013), dissidents’ memories of the Second World War and the Holocaust (with Peter Hallama, Gegengeschichte: Zweiter Weltkrieg und Holocaust im ostmitteleuropäischen Dissens, Leipzig, 2015), and on the re

lation between antifascism and Holocaust Memory in Eastern Europe (with Kata Bohus and Peter Hallama, Growing in the Shadow of Antifascism, Budapest 2021). Galina Zelenina is an associate professor at the Department for Jewish Theology, Biblical and Jewish Studies, Russian State University of the H

umanities, and a senior research fellow at the School for Advanced Studies in the Humanities, The Russian Presidential Academy of National Economy and Public Administration, Moscow. She is the author of От скипетра Иуды к жезлу шута придворные евреи в средневековой Испании (2007) on court Jews in me

dieval and early modern Spain, Иудаика два ренессанс в лицах (2015) on the revival of Jewish studies in late Soviet and post-Soviet Russia, and Огненный враг марранов жизнь и смерть под надзором инквизиции (2018) on Conversos and the Spanish inquisition as well as a number of articles on Soviet and

post-Soviet Jewish history.

媒介化視域下的互動影像研究

為了解決New Era 9FORTY的問題，作者羅婧婷 這樣論述：

互動影像作為一種媒介並不是在數位媒體時代才誕生，其在活動影像誕生伊始就已經存在。但在以往的研究中互動影像被作為一種媒體(media)進行探討，但媒體擠壓了中介物、技術和組織機構三種意義。若繼續將其作為媒體進行研究則無法觸及互動影像的本質，只會停留在其表徵層面。有鑒於此，本研究提出將互動影像作為一種媒介(medium)，並在媒介化視域下對互動影像媒介進行研究，通過揭示機械化波動階段、電氣化波動階段、數位化波動階段和數據化波動階段中互動影像媒介邏輯，探勘其如何在各個波動階段被實踐、被理解、被傳播、被運用。本研究試圖打造適用於互動影像的媒介化研究模型，並在歷時性維度上探索不同波動階段中互動影像的共

時性發展，提取每個波動階段中互動影像媒介的關鍵詞，在用經驗檢視研究模型的同時，建構出不同時期互動影像媒介的譜係，揭示其在不同的媒介化波動階段的樣貌，回答互動影像是什麼這一問題。由於研究內容跨越了媒介化的不同波動階段，故本研究將多種研究方法相結合，針對不同時期的互動影像特征採取對應的研究方法進行探討。首先，在研究進行之前，用焦點團體訪談法對互動影像相關主題進行初探研究，更寬泛的對研究主題進行了解。其次，針對研究中的歷時性觀點，在機械化波動階段和電氣化波動階段，主要採用實物分析法對互動影像相關資料進行收集和分析。此外，數位化波動階段和邁向數據化的波動階段中，則採用深度訪談和大數據分析法進行探討。本

研究通過探索互動影像媒介化過程發現，互動影像的發展既沒有遵循Kunn的範式模型，也没有遵循尖锐的認知斷裂的 Foucault式模型。而是遵循Hayles在關於控制論与后人类的研究中，提出的序列化（seriation）觀點，即是一种重複與創新相互交疊的模式。且在不同的媒介化波動階段中，互動影像媒介呈現的媒體表現形式是多元的，同時各階段的人工製品也表達出該時期互動影像的主要觀念。本研究首次用一種建構主義的方法詮釋互動影像，為該領域的後續研究奠定學術基礎。