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Rap on Trial: Race, Lyrics, and Guilt in America

為了解決New York rappers的問題，作者Nielson, Erik/ Dennis, Andrea/ Mike, Killer (FRW) 這樣論述：

A groundbreaking expos about the alarming use of rap lyrics as criminal evidence to convict and incarcerate young men of colorShould Johnny Cash have been charged with murder after he sang, "I shot a man in Reno just to watch him die"? Few would seriously subscribe to this notion of justice. Yet in

2001, a rapper named Mac whose music had gained national recognition was convicted of manslaughter after the prosecutor quoted liberally from his album Shell Shocked. Mac was sentenced to thirty years in prison, where he remains. And his case is just one of many nationwide.Over the last three decad

es, as rap became increasingly popular, prosecutors saw an opportunity: they could present the sometimes violent, crime-laden lyrics of amateur rappers as confessions to crimes, threats of violence, evidence of gang affiliation, or revelations of criminal motive--and judges and juries would go along

with it. Detectives have reopened cold cases on account of rap lyrics and videos alone, and prosecutors have secured convictions by presenting such lyrics and videos of rappers as autobiography. Now, an alarming number of aspiring rappers are imprisoned. No other form of creative expression is trea

ted this way in the courts.Rap on Trial places this disturbing practice in the context of hip hop history and exposes what's at stake. It's a gripping, timely exploration at the crossroads of contemporary hip hop and mass incarceration. Erik Nielson is an associate professor of liberal arts at the

University of Richmond, where he teaches courses on African American literature and hip-hop culture. He lives in Richmond, Virginia, and Brooklyn, New York. Andrea L. Dennis is a professor at the University of Georgia School of Law and was formerly an assistant federal public defender. She lives in

Athens, Georgia.

New York rappers進入發燒排行的影片

台灣男同志 That Bitch 迷因文化之批評論述分析

為了解決New York rappers的問題，作者灝明杰 這樣論述：

近年來台灣因對同志族群高度包容與自由，在國際上享有盛名，在2019 年同性婚姻合法化後之後尤其如此。然而，這種觀點忽略了當今生活在台灣的同性戀族群所面臨之微觀政治。本研究探討台灣男同性戀者建構其身分之理論化觀點，並如何在主流霸權價值觀中，找到自己在同性戀社群和異性戀主導社會的定位。本研究追蹤Instagram上的男同志帳戶：@bitch_inthecabin、@hipster_of_all_trades 與 @garbagestoryboy，並應用多模態批判論述分析方法、以及霍伯斯坦（Halberstam ）的「失敗」框架 (failure framework, 2011)，解讀這些帳戶所分

享之迷因。本研究主要問題有三：（1）迷因如何建構同性戀認同?（2）活躍的IG台灣男同志帳戶如何透過迷因展現其「失敗」?（3）迷因的論述如何能支持、協調及推翻主流文化?透過批判性論述分析解讀迷因，本研究探討Instagram 用戶如何在異性戀霸權中展現自己的主體性、性相與邊緣位置。他們經常將自己描繪成異性戀女性，並應用酷兒化的女性氣質來概念化男同志的性相、男性特質，並陳述被家人排擠的共同經驗。然而。迷因也重製了異性戀霸權下的男性氣質概念，且帶著種族框架，賦予白人與東亞男性更高優勢地位。研究建議，未來台灣同志研究應進一步探討種族政治議題，尤其是與有色人種相關的論述。

Beastie Boys Book

為了解決New York rappers的問題，作者Diamond, Michael/ Horovitz, Adam 這樣論述：

#1 NEW YORK TIMES BESTSELLER - A panoramic experience that tells the story of Beastie Boys, a book as unique as the band itself--by band members ADROCK and Mike D, with contributions from Amy Poehler, Colson Whitehead, Spike Jonze, Wes Anderson, Luc Sante, and more.NAMED ONE OF PASTE'S BEST MEMOIRS

OF THE DECADE - NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Rolling Stone - The Guardian - Paste Formed as a New York City hardcore band in 1981, Beastie Boys struck an unlikely path to global hip hop superstardom. Here is their story, told for the first time in the words of the band. Adam "ADROCK" H

orovitz and Michael "Mike D" Diamond offer revealing and very funny accounts of their transition from teenage punks to budding rappers; their early collaboration with Russell Simmons and Rick Rubin; the debut album that became the first hip hop record ever to hit #1, Licensed to Ill--and the album's

messy fallout as the band broke with Def Jam; their move to Los Angeles and rebirth with the genre-defying masterpiece Paul's Boutique; their evolution as musicians and social activists over the course of the classic albums Check Your Head, Ill Communication, and Hello Nasty and the Tibetan Freedom

Concert benefits conceived by the late Adam "MCA" Yauch; and more. For more than thirty years, this band has had an inescapable and indelible influence on popular culture. With a style as distinctive and eclectic as a Beastie Boys album, Beastie Boys Book upends the typical music memoir. Alongside

the band narrative you will find rare photos, original illustrations, a cookbook by chef Roy Choi, a graphic novel, a map of Beastie Boys' New York, mixtape playlists, pieces by guest contributors, and many more surprises.Praise for Beastie Boys Book "A fascinating, generous book with portraits and

detail that float by in bursts of color . . . As with the band's] records, the book's structure is a lyrical three-man weave. . . . Diamond's voice is lapidary, droll. Horovitz comes on like a borscht belt comedian, but beneath that he is urgent, incredulous, kind of vulnerable. . . . Friendship is

the book's subject as much as music, fame and New York."--The New York Times Book Review "Wild, moving . . . resembles a Beastie Boys LP in its wild variety of styles."--Rolling Stone "As nutty, irreverent, and fun as you think it would be."--Vogue "As freewheeling and funny as their albums . . . a

beautifully messy (and large) talisman containing within it many of the great joys and surprises that come with listening to the Beastie Boys"--The AV Club Beastie Boys is a trio consisting of Michael ＂Mike D＂ Diamond, Adam ＂ADROCK＂ Horovitz, and the late Adam ＂MCA＂ Yauch (1964-2012), formed in 1

981 as part of New York’s hardcore punk underground. The group’s first full-length album, Licensed to Ill, was the first rap album to reach #1. With seven multi-platinum albums from 1986 to 2011, including Licensed to Ill, Paul’s Boutique, Check Your Head, Ill Communication, Hello Nasty, To the 5 B

oroughs, and Hot Sauce Committee Part Two, Beastie Boys are one of the longest-lived hip hop acts worldwide. They were inducted into the Rock and Roll Hall of Fame in 2012, received the MTV Michael Jackson Video Vanguard Award in 1998, and have won three Grammy Awards.

女生沒嘻哈？臺灣嘻哈音樂的性別問題

為了解決New York rappers的問題，作者黃意能 這樣論述：

本研究聚焦於臺灣饒舌音樂圈中的性別問題，深度訪談了十名受訪者，其中五位為女性饒舌歌手，包含柔伊、朱妹、蚊子、庭葳、一軒，另外五位為饒舌圈相關人士，包含DJ Ku Da Yeast、林老師、老莫、fishLIN、茱力。本研究分析訪談內容，梳理臺灣饒舌音樂圈的發展與現今樣貌、剖析成功饒舌歌手的支持因素，以及討論女性饒舌歌手在臺灣饒舌圈中所面臨的困境。訪談分析發現，新生代饒舌歌手主要以社團及社群媒體作為進入管道，其中原生於臺灣的學院派饒舌，使得臺灣饒舌音樂圈有一派注重知識深度及內容隱喻的饒舌歌手，而饒舌廠牌亦不吝惜給予資源，幫助新生代饒舌歌手成長茁壯。研究整理出成功饒舌歌手所需要具備的支持因素包含

下述六項：聲音質地、Keep it real、Homie、培力資源、成功典範、奮鬥週期，研究者並與Schweig之研究對話，修改了聲音質地及Keep it real之定義。針對臺灣饒舌圈中的性別問題，本研究發現新進饒舌歌手主要面對的問題分為兩個層面，其一為音樂相關的內部因素，所有新進饒舌歌手皆會受其影響，其二則為性別相關的脈絡因素，此部分則為女性饒舌歌手額外面對的困難；並分析類似問題不僅只存在於饒舌音樂圈，而是整體臺灣社會結構的性別問題。