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The Battle of the Somme 1916: Developing the Offensive – July to Mid September

為了解決Opened的問題，作者Cave, Nigel/ Sheldon, Jack 這樣論述：

After the initial anticipation of great results for the Allied offensive that opened on 1 July, the French and the British had to consider their next moves. Haig made the fateful decision to reinforce perceived success at the center and south of the British line (although Joffre, rightly, wished

to continue the pressure at Thiepval). The result was a series of minor (if expensive) operations to provide a suitable base line for the next major British assault along the Bazentin Ridge, running approximately from east of Longueval to west of Bazentin le Petit Wood. Thus Ovillers, Mametz Wood an

d Tr nes Wood became prominent in Britain's military history. The French soon began to appreciate that the great success south of the river on 1 July was not going to achieve much more unless the front was extended southwards (impractical, given pressure at Verdun and limited manpower resources); or

if advances could be made north of the river that would outflank the Germans to the south. Meanwhile Falkenhayn continued to believe in the imminence of British offensive action further north, in French Flanders, despite the fact that he was reassured time and again that there was no evidence for t

his and that in any case such an eventuality could be contained with reduced resources. Eventually the offensive in Verdun was halted, in late August Falkenhayn was removed after he had presided over increasing friction at the highest level on the Somme front amongst senior commanders; Ludendorff an

d Hindenburg took over and the genius of German defensive measures, Lo berg, arrived on the scene. This book covers actions at Ovillers, Pozi res (notably involving the Australians) Mametz, Delville Wood (South Africa's first great war time action in Europe), the bitter fighting at High Wood, all le

ading up to the great attack on the Somme on 15 September. This was the third such major effort by the British army and the first time since 1 July that the Allies had attacked simultaneously in strength. The book then looks at aspects of the fighting associated with this attack, in particular the r

ole of the New Zealand Division and of the Guards Division around Les Boeufs. It then concentrates on the Anglo French boundary area (Guillemont and Combles) before considering French activity at Maurepas, Cl ry, Biaches and La Maisonette and the extension of the French front on 3 September, with fi

ghting at Soy court, Lihons and Vermandovillers. The book ends with a review of the situation both sides found themselves in mid September, before the action continued its relentless grind at extraordinary cost in men and materiel.

Opened進入發燒排行的影片

傳統民營銀行數位金融創新之研究

為了解決Opened的問題，作者薛丞邑 這樣論述：

在網際網路蓬勃的發展下，金融科技的出現無疑是改變了整個金融業，我國金融監督管理委員會於2019年首度開放3張純網銀執照，造成傳統銀行相當大的衝擊，迫使傳統實體通路銀行的經營模式改變，以防止客源流向純網銀，各家傳統銀行逐漸成立數位金融部，打造自身的數位品牌，開創出數位銀行的通路，讓人們不必再跑到實體分行，也能從行動裝置、電腦完成各項業務，且不再受到傳統銀行有營業時間上的限制。本研究蒐集相關文獻及各學者理論作為參考，以傳統銀行所推出的數位銀行是如何轉型使民眾的使用意願提升，及目前數位銀行推行的各項服務是否能獲得民眾的認可，並改變實際使用的習慣，以達成傳統銀行轉型的目的為探討。本研究採用問卷調查法

為主要研究方法，於2022年5月13日至2022年5月20日進行發放，共計7天，以網路問卷方式進行，採滾雪球方式發放。問卷總共回收333份，其中有效問卷為332份，無效問卷為1份。本研究針對回收之有效問卷進行敘述性統計分析、信度分析、效度分析、差異性分析及迴歸分析，分析結果顯示當民眾對數位銀行的功能需求性、行銷策略、服務體驗及服務品質感到滿意時，皆會提升民眾使用數位銀行之意願，且能有效改變民眾的使用習慣、減少前往實體分行辦理業務的次數。

You Hide That You Hate Me and I Hide That I Know

為了解決Opened的問題，作者Gourevitch, Philip 這樣論述：

The highly anticipated and timely follow-up to Philip Gourevitch’s award-winning bestseller We Wish to Inform You That Tomorrow We Will Be Killed with Our Families.Philip Gourevitch’s unforgettable modern classic We Wish to Inform You That Tomorrow We Will Be Killed with Our Families opened our e

yes to the 1994 genocide of Rwanda’s Tutsi minority: Close to a million people were murdered by their neighbors in one hundred days. Now Gourevitch brings us an astonishingly vivid and intimate exploration of how killers and survivors live together again in the same communities, grappling with seemi

ngly impossible burdens of memory and forgetting, denial and confession, vengefulness and forgiveness. A fiercely beautiful literary reckoning, You Hide That You Hate Me and I Hide That I Know--the culmination of twenty-five years of reporting on the aftermath of the slaughter--takes its title from

a stark Rwandan adage that speaks to the uneasy trade-offs that reconciliation after near annihilation demands. Since the genocide, Rwanda has engaged in the most ambitious and sweeping process of accountability ever undertaken by any society. ＂Truth Heals＂ was the slogan. But truth also wounds. And

truth is always contested. As Gourevitch returns repeatedly over the decades to the same families in one hillside village, their accounts of killing and surviving, and of the life after, inform and enlarge one another, becoming ever more complex and charged with significance. These stories are at o

nce as essential and as extreme as classical myths, illuminating the ways that we seek, individually and collectively, to negotiate our irreparable pasts in pursuit of a more habitable future. This deeply moving book continuously invites us--as only great writing can--to think, and to think again.

當代箏樂之跨界演繹── 以《夜魔》、《三貓娛箏》為例

為了解決Opened的問題，作者曾羽薇 這樣論述：

本研究以臺灣箏樂之跨界演繹為主，探討臺灣當代古箏音樂的發展趨勢，從傳統樂器出發，透過樂器之改革、變遷與展演方式，從跨界觀點分析當代箏樂之創作與詮釋面向。箏樂在臺灣的發展受到人文思想、表演方式、藝術團體等諸多因素之影響而有所創新和突破，尤其是樂器的改革，讓創作者與展演者有更大的空間發揮其創意，因而促進箏樂的多元面向發展潛能，其中，樊慰慈的《夜魔》與黃好吟的《三貓娛箏》即為代表作品。本研究便以此兩部作品為例，首先透過箏樂及跨界的相關文獻爬梳，分別從創作者及展演者的角度，以文獻探討、個案研究及訪談方式將當代箏樂的發展及跨界相關論述進行全面性的綜覽；此外，再依據此二作品之創作理念、創作手法及展演方式

來更近一步地窺探，當代箏樂的跨界演繹。研究發現透過改良後的當代古箏，無論在內容或形式上，有更寬廣的創作與詮釋空間。然而，國內與箏樂相關的跨界研究並不充裕，有鑑於此，希望本研究能提供學術界參考。