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Ada Lovelace: The World’s First Computer Programmer

為了解決Recognize的問題，作者Cox, Annabelle 這樣論述：

While much has been written about the 'father of computers' Charles Babbage and Alan Turing, the pioneer of computer science, many trailblazing female computer programmers have slipped beneath the radar. One of these is Ada Lovelace. A Countess and daughter of the infamous Lord Byron, Lovelace co

uld have lived a very comfortable if unremarkable life, but instead she became a renowned mathematician and writer. She is chiefly known for her work with Charles Babbage, the aforementioned 'father of computers'. But it was actually Ada and not Babbage who was the first person to recognize that the

machine had applications beyond pure calculation. She created the first algorithm intended to be carried out by such a machine and, as a result, she is regarded as the world's very first computer programmer. Her life is fascinating, taking in social and educational exploits with the leading scienti

sts and writers of her day, including Charles Dickens. This new biography seeks to acquaint the reader with all the various milestones of an inspiring life and career.Ada Lovelace is increasingly becoming recognized as a true icon for women in technology. With girls and young women being encouraged

ever more into the fields of mathematics, technology and science (fields previously dominated by men), women such as Ada are incredibly powerful figureheads with influential legacies. Her story is an inspiration to anyone seeking to break new ground in their chosen field.

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易沙意《第四號無伴奏小提琴奏鳴曲》之樂曲分析及演奏詮釋

為了解決Recognize的問題，作者陳昱呈 這樣論述：

比利時小提琴家易沙意（Eugène Ysaÿe, 1858-1931）共寫了六首無伴奏小提琴奏鳴曲（作品二十七），是其晚期的代表作，亦是在西方古典音樂無伴奏小提琴曲中最重要的曲目之一，本文選取其中的第四首作品，為獻給小提琴家克萊斯勒的《第四號小提琴無伴奏奏鳴曲》作為研究的主題。本研究主要將探討作曲家的音樂及創作手法，並進一步了解並分析這首作品的曲式及詮釋。全文共分為五個章節，第一章緒論，包含研究目的與動機、研究範圍與方法；第二章易沙意生平及小提琴作品，介紹易沙意並探討他的無伴奏奏鳴曲及《第四號無伴奏小提琴奏鳴曲》；第三章樂曲分析；第四章演奏詮釋，及最終的結論。

The Naughty Bench

為了解決Recognize的問題，作者Benjamin, A. H. 這樣論述：

A hilarious tale of classroom antics every kid and teacher will love!Things aren’t going well for Room 4. The weather is horrendous, the zoo field trip is cancelled, and Miss Cross has an awful headache. Flynn blows a raspberry. Go and sit on the bench! Miss Cross orders. Ruby and Phoebe argue. T

he bench! Oscar takes too long at the toilet. The BENCH! Soon, the whole class is on the bench, and it isn’t long before Miss Cross sends herself, too! Of course, no storm or bad morning can last forever, and soon giggles--and a very happy ending--pull the class together.Funny, heartwarming, and ado

rably illustrated, The Naughty Bench is one story every teacher will recognize and every classroom will love! A perfect read for rainy, grumpy mornings (and a delightful way to get a wayward class back on track), this tale by long-time children’s author AH Benjamin is destined to become an instant c

lassroom classic.

The State of Indonesian Horror Cinema Throughout the Decade, from Early 2000s to Early 2010s

為了解決Recognize的問題，作者張偉傑 這樣論述：

Horror films in Indonesia were considered bad b-grade horror films by the Indonesian community itself. The reason was because of the female exploitation in Indonesian horror films. In recent years, Indonesian horror films have seen a change in quality which focusses more on the u

rban legend horror and strays away from exploiting women. The aims of this research were to study the opinions of Indonesian youth general audience and film critic on the subject as well as the differences between them. Data were collected using in-depth focus group i

nterview on both group of participants. The data analysis was done using open, axial, and selective coding process. Results show that both audiences and expert recognize an improvement in Indonesian horror cinema because of a select few outstanding films, but emphasize that there are stil

l a lot of Indonesian horror films that aren’t the same quality as those select few.