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We’’re Not the Champions (the Underdogs #2)

為了解決Shopkeeper的問題，作者West, Tracey 這樣論述：

The second chapter book in this fun, highly illustrated series about four dogs who learn that being yourself is much more fun than being Best in Show. From the bestselling author of Dragon Masters and the illustrator of Diary of a Pug!Welcome to Barksdale, where all the dogs strive for perfection

. Every shopkeeper claims to be the ＂best groomer＂ or sell the ＂best biscuits.＂ And at Barksdale Academy, the pressure is on for one pup to be named Best in Show.Duke’s cousin Coco, a French bulldog from Paris, is visiting for the K-2 loyalty exam. During this exam, the Underdogs and their classmate

s will participate in a field day event against a rival school.Coco is cool, funny, and charming -- especially compared to the Underdogs. So when it comes time to choose teams, it’s no surprise she ends up on Team Awesome instead of with her cousin Duke and his friends.But during the K-2 exam, Coco

can’t seem to get anything right! She trips during the six-legged race, and drops everything that’s thrown to her. If Barksdale loses the field day events, everyone -- including the Underdogs -- will fail their loyalty exam!Can the Underdogs come to Coco’s rescue -- and save their school’s reputatio

n?With black-and-white illustrations on every page and hilarious antics throughout, this series is perfect for readers who are just starting to read chapter books on their own, or for anyone who loves a good underdog story!

Shopkeeper進入發燒排行的影片

以空間型態構成探討不同類型生鮮市場之消費體驗

為了解決Shopkeeper的問題，作者洪羽萱 這樣論述：

市場是城市生活的縮影，是生活的日常，各種不同多樣化的商業空間豐富都市的組成、滿足人們的選擇，傳統市場被視為都市文化之窗，存在有其必要性，但卻逐漸沒落中、現代化的生鮮超級市場為單一經營並且經過規劃，隨著生活習慣與經濟結構的變化，逐漸成為人們日常採購的主要空間。傳統市場與超市就像在天秤的兩端，許多研究就消費行為以及商業模式討論這兩者，但以空間構成做為比較的研究尚屬少見。本研究旨在探討在不斷超級化的市場空間構成中，傳統市場與超級市場所有的消費經驗差異以及其關聯性，本研究以三個不同的生鮮市場空間案例，頂好超市、大龍市場與上引水產透過觀察來繪製出平面圖與分析接著並以空間型態構成理論進行量化分析，並以消

費體驗來討論。從空間關係中可以發現生鮮市場有共通點，是具有環形動線組織與分配性之空間，雖為不同的生鮮市場類型，但共同方向都為以超市為目標，只是努力的方向不同。頂好為發展較早的連鎖企業，貨架統一且可應各種季節需求變化更動，整體上更有效率地利用使用。改建後大龍市場雖在設備環境上向超市看齊，卻因為與傳統市場互相違背的原則而失去了傳統市場透過閒逛與店家產生互動之特色。觀光的意義為身歷其境，上引水產在從五感開始出發讓購物也成一種體驗的過程。面對消費型態與科技的結合，生鮮市場空間從生活必須場所，變成一種選擇性空間，除了形式上空間的規劃與設計，往往其中也造成消費行為的變化。後續研究將增加更多室內空間特色之研

究以及以消費者的角度探討空間舒適度。

China Room

為了解決Shopkeeper的問題，作者Sahota, Sunjeev 這樣論述：

入圍2021布克獎初選作品   　　一場發生在印度旁遮普的大家族中，擺脫壓抑的自由抗爭   　　1929年，印度旁遮普地區，剛結婚的Mehar應該要是幸福的，可她連自己的丈夫是誰都不清楚。她和另外兩個妯娌都在同一天下嫁這個家族的三兄弟，同一天辦婚禮，頭紗未掀，三人便都被安置進了「瓷器屋」之中。日以繼夜地工作，吃住都在這間小小的房間裡，跟自己的丈夫也是完全隔絕的狀態。唯有婆婆把她們叫出來，送進一間黑暗的房間時，才有機會碰觸到自己的丈夫，即便如此，丈夫的身份仍是個謎。Mehar決定用自己的方式去找出答案，她分辨對方的嗓音特色，藉由送茶碰到的手，記住對方長繭的位置。然而隨著她推理一步步展開，潛伏的危

險卻也一步步逼近，燎原的星星之火在此引起，甚至跟著社會上那股印度獨立的風氣，伺機竄起…   　　數十年後，1999年，英國一個小鎮裡的年輕男孩，身為印度移民加上家境清寒，飽受了種族歧視與霸凌，在層層心理壓力下，他選擇逃避而染上海洛因。就要上大學的他決定要正視問題，因此在入學前的那個暑假，來到了位於旁遮普的叔叔家裡，遠離海洛因的誘惑。這個Mehar曾經住過的農莊，上鎖的「瓷器屋」之中，男孩將慢慢地摸索出關於Mehar的故事，並重振自己，重新踏上回家之路。 　　(文／博客來外文館) 　　LONGLISTED FOR THE 2021 BOOKER PRIZE 　　“Sunjeev Sahota

’s new novel follows characters across generations and continents…Heart-wrenching.” —Entertainment Weekly 　　“An intimate page-turner with a deeper resonance as a tale of oppression, independence and resilience.” —San Francisco Chronicle 　　A transfixing, “powerfully imaged” (USA Today) novel about

two unforgettable characters seeking to free themselves—one from the expectations of women in early 20th century Punjab, and the other from the weight of life in the contemporary Indian diaspora 　　Mehar, a young bride in rural 1929 Punjab, is trying to discover the identity of her new husband. Marr

ied to three brothers in a single ceremony, she and her now-sisters spend their days hard at work in the family’s “china room,” sequestered from contact with the men—except when their domineering mother-in-law, Mai, summons them to a darkened chamber at night. Curious and strong willed, Mehar tries

to piece together what Mai doesn’t want her to know. From beneath her veil, she studies the sounds of the men’s voices, the calluses on their fingers as she serves them tea. Soon she glimpses something that seems to confirm which of the brothers is her husband, and a series of events is set in motio

n that will put more than one life at risk. As the early stirrings of the Indian independence movement rise around her, Mehar must weigh her own desires against the reality—and danger—of her situation. 　　Spiraling around Mehar’s story is that of a young man who arrives at his uncle’s house in Punja

b in the summer of 1999, hoping to shake an addiction that has held him in its grip for more than two years. Growing up in small-town England as the son of an immigrant shopkeeper, his experiences of racism, violence, and estrangement from the culture of his birth led him to seek a dangerous form of

escape. As he rides out his withdrawal at his family’s ancestral home—an abandoned farmstead, its china room mysteriously locked and barred—he begins to knit himself back together, gathering strength for the journey home. 　 　　Partly inspired by award-winning author Sunjeev Sahota’s family history, 

China Room is at once a deft exploration of how systems of power circumscribe individual lives and a deeply moving portrait of the unconquerable human capacity to resist them. At once sweeping and intimate, lush and propulsive, it is a stunning achievement from a contemporary master. SEE LESS 　　

LONGLISTED FOR THE 2021 BOOKER PRIZE   　　“Sunjeev Sahota’s new novel follows characters across generations and continents…Heart-wrenching.” —Entertainment Weekly   　　“An intimate page-turner with a deeper resonance as a tale of oppression, independence and resilience.” —San Francisco Chronicle   　　A

transfixing, “powerfully imaged” (USA Today) novel about two unforgettable characters seeking to free themselves—one from the expectations of women in early 20th century Punjab, and the other from the weight of life in the contemporary Indian diaspora   　　Mehar, a young bride in rural 1929 Punjab,

is trying to discover the identity of her new husband. Married to three brothers in a single ceremony, she and her now-sisters spend their days hard at work in the family’s “china room,” sequestered from contact with the men—except when their domineering mother-in-law, Mai, summons them to a darkene

d chamber at night. Curious and strong willed, Mehar tries to piece together what Mai doesn’t want her to know. From beneath her veil, she studies the sounds of the men’s voices, the calluses on their fingers as she serves them tea. Soon she glimpses something that seems to confirm which of the brot

hers is her husband, and a series of events is set in motion that will put more than one life at risk. As the early stirrings of the Indian independence movement rise around her, Mehar must weigh her own desires against the reality—and danger—of her situation.   　　Spiraling around Mehar’s story is t

hat of a young man who arrives at his uncle’s house in Punjab in the summer of 1999, hoping to shake an addiction that has held him in its grip for more than two years. Growing up in small-town England as the son of an immigrant shopkeeper, his experiences of racism, violence, and estrangement from

the culture of his birth led him to seek a dangerous form of escape. As he rides out his withdrawal at his family’s ancestral home—an abandoned farmstead, its china room mysteriously locked and barred—he begins to knit himself back together, gathering strength for the journey home.   　　Partly inspir

ed by award-winning author Sunjeev Sahota’s family history, China Room is at once a deft exploration of how systems of power circumscribe individual lives and a deeply moving portrait of the unconquerable human capacity to resist them. At once sweeping and intimate, lush and propulsive, it is a stun

ning achievement from a contemporary master. Sunjeev Sahota is the author of the novels Ours are the Streets (UK only) and The Year of the Runaways, which was shortlisted for the 2015 Man Booker Prize and was awarded a European Union Prize for Literature in 2017. He was born in Derbyshire in 1981

and lives in Sheffield with his wife and children.

島上讀冊：獨立書店與澎湖社區之互動關係

為了解決Shopkeeper的問題，作者陳姵宇 這樣論述：

本研究旨在探討獨立書店與在地社區的互動關係，以澎湖離島馬公市的一間獨立書店草生讀冊為主要研究對象，並透過書店相關參與者的人際網絡，研究者走訪其他間獨立書店，藉此回應以下問題：草生讀冊如何在澎湖實踐經營一間有想法和理念的獨立書店？獨立書店在澎湖社區中擔任什麼樣的角色與功能？臺灣對獨立書店的既有研究與文本多著重於經營模式及消費者形態的符號意義，關於獨立書店與社區互動關係的相關研究為數不多(例：黃議霆，2011；簡逸君，2012)，離島在地理環境上的隔絕與孤立對資源與資訊的流通帶來隔離。研究者以離島作為研究場域去探討獨立書店如何與在地社區互動，也藉此一探獨立書店在澎湖離島如何發展出獨有的樣貌。因此

，研究者在2020年採用參與觀察及深度訪談方法，參與書店舉辦的相關活動，並訪談草生讀冊的店主人、顧客與在地居民共19名，及其他間獨立書店工作人員共3名。研究者的分析著重於他們對澎湖離島的獨立書店的細緻覺察與詮釋。本研究以質性研究呈現獨立書店與社區互動的在地觀點，研究結論共有三點：一、獨立書店多採用複合式經營模式，尋求書籍販售以外的收入，增加書店整體營收，以求永續經營。二、獨立書店擔當了部份在地傳統社會組織的角色，成為一個多功能的公共空間。獨立書店除了書籍的販售，為特定顧客群提供用心的選書之外，也會辦理講座、音樂會和展覽，提供參與者更多學習的機會。三、獨立書店為臺灣當代社會非主流議題保留一個空間

，提供保存文化多樣性的可能。