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John Lennon Did Not Die a Slow Death: Dislodging an Urban Legend About a Legend (And 9 Other Stories)

為了解決Coleman 2-ROOM的問題，作者O’Donnell, Jim 這樣論述：

JOHN LENNON'S LAST MOMENTS The title piece in this 10-story book tackles the question of whether former Beatle John Lennon died a swift death in seconds when he was shot in 1980, or an appallingly slow death over several excruciating minutes. Urban legend has it that Lennon was actually able to spea

k within minutes after being shot. But through many interviews with police officers and doctors, and a thorough look at various reports, author Jim O'Donnell dislodges this urban legend about a legend. Although some of the details about Lennon's death are graphic, they serve to show that Lennon most

likely died a fast death, not a slow, tormented one. For example, there were two officers first on the scene where Lennon was shot. One of them told O'Donnell: "His Lennon's] face was right into the floor, actually, face down. He wasn't turned left or right. His arms were spread out in front of hi

s head, almost like you were taking a dive. He was actually turning white at that point." The remaining pieces in the book present the stories of nine other deceased people from the world of rock, including six rock stars, a DJ, a TV host, and a writer. CONTENTS 1. John Lennon Did Not Die A Slow Dea

th 2. Jim Morrison: Rock's Wildest Celebrant 3. Elvis Presley (Occupation: Pop Singer) 4. And the Wind Cries Jimi 5. Janis Joplin: Lone Star 6. Getting Zapped by Zappa 7. Bill Haley: Rock's William the Conqueror 8. The Freed Kingdom 9. A Dick Clark Special 10. Ray Coleman: Author, Journalist, Mentor

Excerpts On John Lennon: "It is time to put to rest the story that after being shot John Lennon was living, talking, conscious. Actually, he was dying, moaning, unconscious. This man who lived a fast life died a fast death, not a slow, tormented one." On Jim Morrison: "No singer before or since has

had such a gift for embodying and dramatizing the search for self. He ate up every deep, dark aggression in the room, and sent it back in the emotional colors of his art. He was a natural. All Jim Morrison did for stardom, claimed Jim Morrison, was stop getting haircuts." On Elvis Presley: "It is t

he face that sailed a thousand hips. Twentieth-Century man-and woman, especially-knows the first name better than any other two names that ever graced the lips of humankind-Charlie Chaplain and Beethoven, Walter Cronkite and Sandy Koufax, Jane Fonda and Harry Truman, notwithstanding." On Jimi Hendri

x: "He raised the performance level of rock 'n' roll in one blazing fell swoop. He was virtuosity AND flash. And once you saw him put the two together, the image was harder to shake than dandruff. You couldn't help demanding more from every performer you saw thereafter." On Janis Joplin: "Some perfo

rmers let off steam on a stage. Janis Joplin let off lava. She was so volcanic, her back-up bands functioned mainly as rumbling blue clouds harboring her lightning bolts." On Frank Zappa: "Ugliness objectively correlates Zappa's thoroughly anarchic notion that acting and thinking strictly within soc

iety's unwritten rules prevents you from being fully and freely you. (Whew What a long way of saying nicety is the mother of prevention.)" On Bill Haley: "Bill Haley was a smuggler: he smuggled rock 'n' roll past adult customs and into teen toyland. He had a diamond in his shoe-though he didn't rea

lly know it, or intend to break any laws. It was just that the commodity he offered was as freakoid to his public as fifty years earlier the horseless carriage that Barnum and Bailey Circus offered was to their public." On Alan Freed: "He is the reason the Rock 'n' Roll Hall of Fame is in Cleveland-

not in Memphis or Liverpool. He gave rock 'n' roll its name by using rock to do what it's supposed to do: free the spirit. And he freed many." From Michael Lydon, a Founding Editor of ROLLING STONE: ＂Jim O’Donnell has a reporter’s curiosity, a rock ’n’ roller’s heart, and he writes like a lyrical

Irish poet.＂ About the Author Jim O’Donnell is a longtime music writer whose work is in the Rock ’n’ Roll Hall of Fame library in Cleveland. He received his first professional newspaper byline for a sports story in 1969. Since that time, his features, profiles, columns and essays have focused mostly

on rock ’n’ roll. His work has been syndicated in newspapers ranging from the San Francisco Chronicle to the Cleveland Plain Dealer to the Boston Herald. O’Donnell has written several books, including The Rock Book (Pinnacle, 1975), Born to Rock (Peacock, 1981), Wonderful Tonight (Hall of Fame, 199

3) and The Day John Met Paul (Penguin, 1996; Routledge, 2006). The Day John Met Paul details the day John Lennon met Paul McCartney in Liverpool in 1957. The book was internationally acclaimed. Pete Shotton, John Lennon’s best friend in their younger years, said: ＂Once I started reading this book, I

couldn’t stop. This is a realistic portrayal of Lennon as a teenager. O’Donnell gets it right.＂ Bob Molyneux, who taped John Lennon playing on the day he met Paul McCartney, said: ＂It was absolutely incredible to have the day brought back so perfectly. I couldn’t have told the story more accurately

myself.＂ The Day John Met Paul has been published in several languages, ranging from Japanese to Czech to French, and is available in an audio edition read by Rod Davis, a personal friend of John Lennon. O’Donnell has appeared frequently on CNN Radio and has done many television interviews. His big

gest TV moment came when he didn’t appear on the screen at all, but rather had his name show up in a Jeopardy question. The contestant answered correctly for ＄400. He holds a Master’s Degree from St. Peter’s College and studied journalism under New Journalism pioneer Richard Goldstein at New York Un

iversity. He has also completed graduate courses in Creative Writing and The Teaching of Writing at Harvard University. Whether sitting front-row-center at an Eric Clapton concert in New York City, or standing front-row-center at the gates of Strawberry Field in Liverpool, O’Donnell has traveled the

globe as a journalist for many years, searching out stories. He lives in New Jersey with his wife and three children.

Coleman 2-ROOM進入發燒排行的影片

雷射削融法合成二硫化鎢量子點的光學特性與應用

為了解決Coleman 2-ROOM的問題，作者沈莉娜 這樣論述：

近年來，過渡金屬二硫化物如二硫化鎢量子點受到相當關注。在過渡金屬二硫化物中摻雜可以調整它們的光學和電學性質，並且有助於許多應用。我們開發出一種脈衝雷射削融法來合成二硫化鎢量子點，並藉由二乙烯三胺濃度來調控二硫化鎢量子點中的載子濃度，實現了高達8.27×1012 cm-2的電洞濃度。由於加入二乙烯三胺，二硫化鎢 量子點的光激螢光強度提高了72倍。本論文研究在二硫化鎢 量子點中的載子再結合動力學。 二硫化鎢量子點的輻射生命期隨著載子密度的增加而降低，這與眾所周知的ABC模型中的輻射生命期行為相似。在低和高載子濃度下的非輻射生命期，則分別由Shockley-Read-Hall（SRH）和Auger

再結合主導。本論文也研究二硫化鎢量子點中的多體效應，發現二硫化鎢量子點在室溫下就可觀察到能隙重歸一化可達251 ± 16 meV並且激子束縛能可高達991 ± 33 meV。此外，當二硫化鎢量子點加入InGaN/GaN和InGaAs/AlGaAs量子井時，它們的光激螢光強度可增強，這歸因於從二硫化鎢量子點的光生電洞轉移。其中，二硫化鎢量子點穿隧到InGaN/GaN量子井的穿隧時間與位壘厚度呈現半經典的Wentzel-Kramers-Brillouin（WKB）模型。這些研究的結果，有助於過渡金屬二硫化物的光學特性了解與其在光電元件的應用。