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Hold on World: John Lennon and Yoko Ono’’s Plastic Ono Band, Fifty Years on

為了解決New york rap song的問題，作者Kruth, John 這樣論述：

Hold On World revisits Lennon and Ono's love affair and startling collaborations. John Lennon's Plastic Ono Band was arguably the most emotionally honest album ever made. It wasn't merely another record but more like a sonic exorcism, a spiritual, public bloodletting. Lennon's album drove a stake th

rough the heart of the Beatles' myth while confronting everything else in John's life, from Dylan to God to his glorified status as a "Working Class Hero." Determined to rid himself of childhood traumas--abandoned by his father, John, at age nine, watched helplessly as his mother was killed by a car

--Lennon wrote the most powerful song cycle of his career, confronting fear, disappointment, and illusion, all the while espousing his love for Yoko Ono. Released simultaneously, Ono's album Yoko Ono/Plastic Ono Band is emotionally raw and challenging. It inspired bands like the B-52s and Yo La Teng

o to employ pure sound, whether shrieking vocals or guitar feedback, to express their deepest feelings. John Kruth is the author of three musical biographies, including To Live’s to Fly: The Ballad of the Late, Great Townes Van Zandt (recipient of the ASCAP/Deems Taylor Award; DaCapo Press, 2007),

and Rhapsody in Black: The Life and Music of Roy Orbison (Backbeat Books, 2013). In 2015, Backbeat published Kruth’s fiftieth anniversary celebration of the Beatles’ Rubber Soul, This Bird Has Flown. His latest book, A Friend of the Devil: The Glorification of the Outlaw in Song, from Robin Hood to

Rap, was published in September 2017 by Backbeat. Kruth’s writing has appeared in The New York Times, Rolling Stone, Wire (UK), The Observer (NYC), No Depression, Rave (India) Wax Poetics, and Folk Roots (UK).

New york rap song進入發燒排行的影片

被宰制的身體：Black Lives Matter時代的黑人性與種族政治展演

為了解決New york rap song的問題，作者蔡佳樺 這樣論述：

本論文旨在探索戲劇實踐如何促進當代美國社會對種族政治與種族和解的批判性討論。「被宰制的身體」作為理解社會運動和藝術表達之間動態的修辭語彙，描述了美國黑人在結構性種族主義暴力下的脆弱性。本文藉由分析千禧世代的非裔美國劇作家安托瓦內特.那恩萬度（Antoinette Nwandu）的《踰越》、賈姬.西布里斯.德魯伊（Jackie Sibblies Drury）的《洞見》和傑瑞米.歐.哈里斯（Jeremy O. Harris）的《奴隸戲》，從劇作家在作品中呈現黑人身體受壓迫的情形，不僅探究當前的種族關係，也說明他們如何憑藉審視種族主義的歷史根源及其遺跡，重新思索黑人性（blackness）與抵抗、

能動性以及自我賦權之意。通過作品裡對種族不公的論述，與演出後各自引發輿論廣泛關注與討論，本文強調戲劇實踐作為一種積極的社會參與形式，重新構想了一個空間，在此之中針對結構性暴力進行誠實的對話，可能是突破當前種族僵局的另一種途徑。

Walk This Way: Run-DMC, Aerosmith, and the Song That Changed American Music Forever

為了解決New york rap song的問題，作者Edgers, Geoff 這樣論述：

Washington Post national arts reporter Geoff Edgers takes a deep dive into the story behind "Walk This Way," Aerosmith and Run-DMC's legendary, groundbreaking mashup that forever changed music. The early 1980s were an exciting time for music. Hair metal bands were selling out stadiums, while clubs a

nd house parties in New York City had spawned a new genre of music. At the time, though, hip hop's reach was limited, an art form largely ignored by mainstream radio deejays and the rock-obsessed MTV network. But in 1986, the music world was irrevocably changed when Run-DMC covered Aerosmith's hit "

Walk This Way" in the first rock-hip hop collaboration. Others had tried melding styles. This was different, as a pair of iconic arena rockers and the young kings of hip hop shared a studio and started a revolution. The result: Something totally new and instantly popular. Most importantly, "Walk Thi

s Way" would be the first rap song to be played on mainstream rock radio. In Walk This Way, Geoff Edgers sets the scene for this unlikely union of rockers and MCs, a mashup that both revived Aerosmith and catapulted hip hop into the mainstream. He tracks the paths of the main artists--Steven Tyler,

Joe Perry, Joseph "Run" Simmons, and Darryl "DMC" McDaniels--along with other major players on the scene across their lives and careers, illustrating the long road to the revolutionary marriage of rock and hip hop. Deeply researched and written in cinematic style, this music history is a must-read f

or fans of hip hop, rock, and everything in between. Geoff Edgers is a journalist and author. He is the national arts reporter for The Washington Post, hosts the Edge of Fame podcast, and his work has appeared in GQ, Spin, and The Boston Globe, among others. He also produced and starred in the 201

0 documentary Do It Again, and he is the author of multiple children’s books about The Beatles, Elvis Presley, Stan Lee, and Julia Child. He lives in Concord, MA. with his family.

說唱音樂影片導入置入性行銷的消費者行為之研究 –以越南市場為例

為了解決New york rap song的問題，作者阮氏碧玉 這樣論述：

越南音樂市場近年來發生了翻天覆地的變化，見證了說唱音樂的發展。音樂影片，尤其是說唱音樂影片導入置入性行銷在行銷行業上雖然不是新鮮的研究項目， 但是探討消費者行為之影響尚未受到重視。因此本研究以Russell, C.A. & Belch, M. (2005) 和Klaus & Macklan (2013) 的文獻為研究基礎，了解置入性行銷與說唱音樂的體驗(自變項)消費者行為(依變項)之間的關係。本研究以越南民眾為研究對象，對423 名受訪者進行了問卷調查， 從而分析結果顯示說唱音樂體驗正項影響消費者行為，置入性行銷將正向影響說唱音樂的體驗，然後再影響消費者行為，屬於研究架構的中介變項。再一次證

說唱音樂導入明置入性行銷在營銷策略的重要性，促進廣告行業全面性的發展，各品牌與行銷人員可將本研究的結論作為行銷策略參考，利用說唱音樂影片導入置入性行銷為未來的新趨勢。